Co-existence as an alternative to the nostalgia of co-presence.
Prelude... in the context of Preventive and Obligatory Social Isolation
Keywords:
Contemporary dance, Body-installation, Intercorporeality, Co-existence, Preventive and Obligatory Social IsolationAbstract
The following writing is part of the contemporary artistic and aesthetic practices field. It is a descriptive stage of the research-creation project Preludio... It aims to describe reflections which produce knowledge about the practice itself, and to systematize the research advances of this project. Its purpose is to give a discursive framework to the theoretical and practical reflection of the research-creation work in dance, developed from the proposal of Body-Installation in the work of the Brazilian choreographer Vera Sala. For its development a corpus of notes of direction and creation, reconstruction of experiences and work strategies are observed. Thus, an analysis of the practices developed within the framework of Preventive and Obligatory Social Isolation (2020) is proposed, which is taken as a turning point, due to the suspension of the working space and physical co-presence.
Downloads
References
Figueiredo, V. (2012). Trajetórias desviantes: implicações estéticas e políticas na dança da Cia. Borelli e do Núcleo Vera Sala [tesis doctoral, Universidade Estadual de Campinas, Instituto de Artes]. Recuperado de http://repositorio.unicamp.br/jspui/handle/REPOSIP/284420.
Garcés, M. (2013). Un mundo común. Barcelona: Edicions bellaterra.
Lepecki, A. (2008). Agotar la danza. Performance y política del movimiento. Madrid: Cuerpo de Letra #1. Centro Coreográfico Galego, Mercat de les Flors y Universidad de Alcalá.
Lepecki, A. (2013). El cuerpo como archivo: el deseo de recreación y las supervivencias de la danza. En I. De Naverán y A. Écija (Eds.), Lecturas sobre danza y coreografía (pp. 61-82). Madrid: Artea Editorial.
Merleau-Ponty, M. (1993). Fenomenología de la Percepción. Buenos Aires: Editorial Planeta.
Merleau-Ponty, M. (2010). Lo visible y lo invisible. Buenos Aires: Ediciones Nueva Visión.
Pérez-Royo, V. (2019). Corporalidades disidentes en la celebración. Fiesta y política en la escena contemporánea. En B. Hang y A. Muñoz (Comps.), El tiempo es lo único que tenemos. Actualidad de las artes performativas (pp. 123-144). Ciudad Autónoma de Buenos Aires: Caja Negra.
Preludio... (2019, 22 de octubre). INMERSIÓN #4. Preludio: prácticas antropofágicas para la creación. CePIA web. http://cepia.artes.unc.edu.ar/2019/10/22/inmersion-4/
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.