No. 33 (2024)

Published: 2024-07-05

Full Issue

PDF (Spanish)

Editorial

Editorial Data, Summary and Editorial #33

01-17

Artículos

The construction of motherhood in contemporary series: the case of The Handmaid's Tale (HULU, 2017)

Constanza M. Aguirre, Antonella Golfieri

19-36
Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)

María Soledad Boero

37-54
Does Dall-E dream of electric calves? Art in the Age of Artificial Intelligence

Silvina Jazmín Carnero

55-73
Approaches to the place of contemporary dance in sociology and anthropology of Latin American arts

María del Mar Castillo

75-91
Rethinking the “Open Works” from Music Performance: An interpretation beyond reproduction

Paloma Castro Pavez

93-105
Arts, politics and provocation: between El encierro y La encerrona

Julieta Cebollada

107-124
Process analysis of “Nuestro Vademécum”: conversation and the singular in group creation

Carolina Cismondi

125-149
Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba

Guadalupe Díaz Sardoy

151-168
Nativa: Explorations about contemporary artistic practices in Patagonia and Artist´s Book

Ornella Fasanelli

169-187
Mode(s) of Existence of Dance

Adrián Maximiliano Ferreyra

189-205
Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís

Sandra Ferreyra

207-220
Documentary film, biographical space and political discourse: A reading of ¿Qué queremos hacer? by Les Jóvenes

Nerina Filippelli, Pablo Daniel Sánchez Ceci

221-239
The uncontrollable female body. Modern figures in La Plata´s one-character play «Bajo un sol de sílice»

María Guimarey

241-255
The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting

Florencia Agustina Iribarne Lucato, Damasia Gallegos, Lucas Gheco, Fernando Marte

257-277
Psycho-Affective Itineraries and Experiential Accounts of the Pandemic: the Arts as a Medium of Experience

Diana I Luque

279-296
1+1=3 G.E. Marx Vigo, a third mind

Alicia Madoery

297-313
Thinking of clay with the body: multimodal metaphoric thought in a pottery workshop

Carolina M. Mahler, Alejandra Perié

315-332
Carlos Giambiagi, art critic: affinities, antagonistic stances and relationship with the Argentine art field in the first decades of the 20th century

Nicolás Miranda

333-353
Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images

Manuel Molina, Eugenia Roldán

355-373
Complexities and borrowings between artistic experiences

Claudia Pelera

375-389
Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World

Carla Pessolano

391-402
The sketchs of Antonio Alice. Conmemorations and use of the past. Santa Fe 1943-1944

Juan Bautista Walpen

403-422

No. 33 (2024)

Full Issue

Editorial

Editorial Data, Summary and Editorial #33

Artículos

The construction of motherhood in contemporary series: the case of The Handmaid's Tale (HULU, 2017)

Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)

Does Dall-E dream of electric calves? Art in the Age of Artificial Intelligence

Approaches to the place of contemporary dance in sociology and anthropology of Latin American arts

Rethinking the “Open Works” from Music Performance: An interpretation beyond reproduction

Arts, politics and provocation: between El encierro y La encerrona

Process analysis of “Nuestro Vademécum”: conversation and the singular in group creation

Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba

Nativa: Explorations about contemporary artistic practices in Patagonia and Artist´s Book

Mode(s) of Existence of Dance

Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís

Documentary film, biographical space and political discourse: A reading of ¿Qué queremos hacer? by Les Jóvenes

The uncontrollable female body. Modern figures in La Plata´s one-character play «Bajo un sol de sílice»

The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting

Psycho-Affective Itineraries and Experiential Accounts of the Pandemic: the Arts as a Medium of Experience

1+1=3 G.E. Marx Vigo, a third mind

Thinking of clay with the body: multimodal metaphoric thought in a pottery workshop

Carlos Giambiagi, art critic: affinities, antagonistic stances and relationship with the Argentine art field in the first decades of the 20th century

Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images

Complexities and borrowings between artistic experiences

Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World

The sketchs of Antonio Alice. Conmemorations and use of the past. Santa Fe 1943-1944

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