Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.

Abstract

In the present work, we attempt to add value as well as put into consideration interactive music, refuting negative arguments made by the academicist sector against this form of art. For this purpose, this writing is articulated into two main parts: the first one is a historical observation of the music-technology relation, distinguishing the bases upon which such way of expression is founded, and also analyzing the form problem as a positive turning point for this search; the second part is an analytical approach to two interactive musical pieces by Yamil Burguener, validating the hypothesis made in first instance, and finally, concluding with a reflection about the potentialities held by the unforeseeable nature of the interactive musical composition.