La relación ser-humano-naturaleza en el largometraje de Hayao Miyazaki: Nausicaä del Valle del Viento, desde el principio de armonía confuciano
DOI:
https://doi.org/10.31056/2250.5415.v12.n1.37377Keywords:
virtue, harmony, nature, human being, ethicsAbstract
The present work proposes a reading of the human-nature relationship in the film developed by the Japanese director Hayao Miyazaki: Nausicaä of the Valley of the Wind, through the Confucian principle of harmony, expanding the way in which the role of the moral agent in Miyazaki’s work has been understood in its relationship with nature.
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