A failed pere-version

Authors

  • Eduardo Laso Universidad de Buenos Aires

DOI:

https://doi.org/10.31056/2250.5415.v13.n1.40647

Keywords:

Oedipus complex, Parricide, Incest, Tragedy

Abstract

Pier Paolo Pasolini´s film adaptation of Sophocles´ Oedipus The King, offers the peculiarity to joint Oedipus myth and Sofocles´ tragedy, with Sigmund Freud interpretation of the greek tragedy. To which he adds his personal experiences so as to talk about his own Oedipus complex. By adapting Sophocles´ text from psychoanalytic theory, he makes a film that links the universality of Freudian Oedipus complex with his own experience of passionate love for his mother and parricidal hatred against his father.

References

Freud, S. (1938). Esquema del psicoanálisis, en Obras Completas, Tomo XXIII. Amorrortu.

Lacan, J. (Clase del 21/01/1975). Seminario 22, R.S.I.. Inédito.

Lacan, J. (1977). Psicoanálisis Radiofonía & televisión. Anagrama.

Lacan, J. (1992). El Seminario. Libro 7: La ética del psicoanálisis. Paidós.

Mariniello, S. (1999). Pier Paolo Pasolini. Editorial Cátedra.

Pasolini, P.P. (2002). Poesia en forma de rosa (Trad. Juan Antonio Méndez). Ed. Visor Libros.

Pasolini, P.P. (2022). Pasolini por Pasolini. Entrevistas y debates sobre cine. El Cuenco de Plata.

Siciliano, E. (2015). Vida de Pasolini. Torres de Papel.

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Published

2023-03-15

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