Mourning and memory. The Dock, by Matilde Sanchez
Article Sidebar
Main Article Content
Abstract
In this article I try to analyze the textuality of El Dock, by the argentinian author Matilde Sanchez, where memory and oblivion trace the fragments and remains of a subjetivity. In this case, the first person narration tells of a friendship between two women, which has been interrupted. It is a question, after several years, of restoring those survivals where the motives of a private nature intersect with the history and politics of the country, in a determined context. And it seeks to read the figure of an experience that the narrator registers and recovers to return to the friend form an absence and a silence that seemed unappealable.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Those authors who have publications with this journal, accept the following terms: Those authors who have publications with this journal, accept the following terms:
a. The authors will keep their copyright and guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution - Non-Commercial - Share Alike (by-nc-sa) Attribution License; no commercial use of the original work or any derivative works is allowed, the distribution of which must be done with a license equal to the one that regulates the original work.
b. Authors may adopt other non-exclusive license agreements for the distribution of the published version of the work (e.g., deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated.
c. Authors are allowed and recommended to disseminate their work through the Internet (e.g. in institutional telematic archives or on their website) before and during the submission process, which may lead to interesting exchanges and increase the number of citations of the published work. (See The effect of open access).
How to Cite
References
Barthes, R (2018) La cámara lúcida. Notas sobre la fotografía. Buenos Aires: Paidós.
Didi Huberman, G (2011) Ante el tiempo. Buenos Aires: Adriana Hidalgo Editora.
Kaplan, B (2004) “La violencia después del estado terrorista. La “familia paródica” en El Dock, de Matilde Sanchez” en Isaías Lerner, Roberto Nival y Alejandro Alonso (coord.), en Actas del XIV Congreso de la Asociación Internacional de Hispanistas, vol. 4, Nueva York.
Levinas, E (1993) El tiempo y el Otro. Barcelona: Paidós.
Menestrina, E (2021) “Estampas de la revolución y representaciones de la violencia en la literatura argentina reciente: el caso Laura Alcoba” en Agustina Catalano y Rocío Fernández (editoras), Actas de las I Jornadas internacionales de Literatura, arte y revolución en América Latina.
Sánchez, M (1999) El Dock. Buenos Aires: Planeta.