Propaganda documentary
DOI:
https://doi.org/10.55442/tomauno.n1.2012.8565Keywords:
Propaganda Documentary, Riefenstahl, IvensAbstract
EDITOR´S ABSTRACT
In this text, Enrique Lacolla, contrasts two forms of propaganda documentary focusing not only in its content but in the different uses of cinematographic language that each of them implies. The author proposes that, through analysis of this kind, it is possible to appreciate not only what images displayed but also the cultural and ideological guidelines that inform them and connect them with their time.
We thank the author for his permission to publish this article.
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Published
2012-09-27
Issue
Section
THINKING CINEMA
License
This work is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina .
How to Cite
Propaganda documentary. (2012). Toma Uno, 1, 13-18. https://doi.org/10.55442/tomauno.n1.2012.8565
