Foreword to Ticio Escobar, "Praise of Silence"
Article Sidebar
Main Article Content
Abstract
George Yúdice and Ticio Escobar, two notable Latin American intellectuals, one prologing, the other re-editing, cross and link temporalities in reverse and propose a game of looks around art and the market.
Downloads
Article Details
Those authors who have publications with this journal, accept the following terms: Those authors who have publications with this journal, accept the following terms:
a. The authors will keep their copyright and guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution - Non-Commercial - Share Alike (by-nc-sa) Attribution License; no commercial use of the original work or any derivative works is allowed, the distribution of which must be done with a license equal to the one that regulates the original work.
b. Authors may adopt other non-exclusive license agreements for the distribution of the published version of the work (e.g., deposit it in an institutional telematic archive or publish it in a monographic volume) provided that the initial publication in this journal is indicated.
c. Authors are allowed and recommended to disseminate their work through the Internet (e.g. in institutional telematic archives or on their website) before and during the submission process, which may lead to interesting exchanges and increase the number of citations of the published work. (See The effect of open access).
How to Cite
References
Albrecht Wellmer (1993). Sobre la dialéctica de modernidad y postmodernidad. La crítica de la razón después de Adorno, Madrid: La balsa de la Medusa.
Alfons Hug (2002). A Arte como antidesign. Argumentación curatorial para la XXV Bienal de Sâo Paulo. Texto inédito.
Conor, Steven (1996). Cultura Posmoderna. Introducción a las Teorías de la Contemporaneidad. Madrid: Akal.
Huyssen, Andreas (2000). Seduzidos pela Memória, Museo de Arte Moderna de Río de Janeiro.
Klein, Naomi (2001). El poder de las marcas. Buenos Aires: Paidós.
Lyotard, Jean-Francois (1979). Discurso, Figura, Barcelona: Gustavo Gili S.A.
Richard, Nelly (1994). “Latinoamérica y la posmodernidad”, en Herlinghaus, Hermann y Walter, Mónica (edit) Posmodernidad en la periferia. Enfoques latinoamericanos de la nueva teoría cultural. Berlin: Langer Verlag.
Vattimo, Gianni (1986). El fin de la modernidad. Nihilismo y hermenéutica en la cultura posmoderna. México: Gedisa.
Yúdice, G. (2018) “Hacia un nuevo paradigma institucional”. Atlántica: Revista de Arte y Pensamiento. Recuperado de http://www.revistaatlantica.com/contribution/towards-new-institutional-paradigm/