The Body, Image Queen in the History of Art

Authors

  • Marcelo Nusenovich CePIA
  • David Albano González CIECS. CONICET y Universidad Nacional de Córdoba.

Keywords:

body, history of art, Image Queen

Abstract

The hypothesis in this essay is to consider the body as Image Queen in the history of art. The concept of “Image Queen” is proposed by Jacques-Alain Miller as an element of the imaginary register of language experience which equates it with the master signifier in the register of the symbolic.

References

Boyme, A. (1987 [1994]). Social History of Modern Art. Madrid: Alianza.

Clark, K. (1956[1996]). The Nude. Madrid: Alianza.

Clark, T. J. (1973 [1981]). Image of the People. Gustave Courbet and the 1848 Revolution. Barcelona: Gustavo Gili.

Foucault, M. (1975 [1991]). Watching and punishing. Mexico: Siglo XXI.

Freud, S. (1936 [2008]). Letter to Romain Rolland (A disturbance of memory in the Acropolis) in Collected Works. Volume XXII. Buenos Aires: Amorrortu.

Giedion, S. (1981 [1985]). The Eternal Present: The Beginnings of Art. Madrid: Alianza.

Miller, J.-A. (1995 [1998]). The Image Queen in Lacan’s elucidation. Brazilian talks. Buenos Aires: EOL- Paidós.

Paton, J. & Storr, R. (2013), Ron Mueck, Buenos Aires: Fundación Proa.

Published

2018-08-22

Issue

Section

Intersecciones

How to Cite

The Body, Image Queen in the History of Art. (2018). Lapso, 3, 40-48. https://revistas.psi.unc.edu.ar/index.php/lapso/article/view/20991