Dance and Archive into “Proyecto Oobleck”: Towards Postdisciplinary Ways of Artistic Production
Keywords:
dance, archive, artistic creation, post disciplineAbstract
This article proposes a reflexive approach to the production process of Proyecto Oobleck. Starting from the concepts of post-discipline (Laddaga, 2006) and archive desire (Lepecki, 2013), it explores the ways of facing and giving new meanings to unforeseen events, so as to transform the impossibility of replaying an scenical work into the possibility of permanence as an artistic process. The investigation proposes to elucidate some aspects that affect dance composition and that modify the conventional format of a scenical work, in order to invent a sort of cultural ecology (Laddaga, 2006) based on the production of links, records and updates.
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References
Fernández, V. (2017). Cuerpo y Escena contemporánea. La experiencia sensible y el vínculo con lo real en la práctica de la improvisación compositiva [tesis doctoral, Universidad Nacional de Córdoba]. Repositorio Institucional UNC. http://hdl.handle.net/11086/6840
Laddaga, R. (2006). Estética de la emergencia. La formación de otra cultura de las artes. Adriana Hidalgo editora.
Landowski, E. (2012). ¿Habría que rehacer la semiótica? Contratexto, 20, 127-155. https://doi.org/10.26439/contratexto2012.n020.176
Lepecki, A. (2013). El cuerpo como archivo: el deseo de recreación y las supervivencias de la danza. En I. de Naverán y A. Écija (eds.), Lecturas sobre danza y coreografía (pp. 63-84). Artea.
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