Vol. 14 No. 2 (2024): Puesta en abismo

Editorial

• Puesta en abismo

  Paula Belén Mastandrea, Lucía Amatriain, Laura Olivares Waisman, Úrsula Schneider, Ignacio Trovato

  9-12

  • PDF (Spanish)

• Acting: The mise en abyss in cinema as a resource of the analytical clinic

  Juan Jorge Michel Fariña, Eduardo Laso

  13-19

  • PDF (Spanish)

• The subversive power of the Body-without-Organs. Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future

  Luis Ángel Campillos Morón

  21-25

  • PDF (Spanish)

• The Femme Fatale Function in Film Noir and Poetic Realism

  Juan M. Dardón

  27-33

  • PDF (Spanish)

• Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology

  Mireille Berton

  35-44

  • PDF (Spanish)

• The end and the purpose of humanity

  María Marta Preziosa

  45-50

  • PDF (Spanish)

• Heroicity as an arena of gender struggle. The case of the Robin Hood series

  Cecilia Inés Luque

  51-59

  • PDF (Spanish)

• Tarantino and subtle violence of ideology

  Rodolfo Vera García

  61-71

  • PDF (Spanish)

• From Horror to Body Transmutation in The Cinema of David Cronenberg

  Xavier Brito Alvarado

  73-83

  • PDF (Spanish)

• Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies

  Franziska Humphreys

  85-92

  • PDF (Spanish)

• Multiplication, An Outbreak of The Body The Relationship Between Cinema and Politics in Foucault’s thought

  Lautaro Colautti

  93-97

  • PDF (Spanish)

• The challenges of society through fantasy cinema: the role of the forest

  Ander Goikoetxea Pérez

  99-109

  • PDF (Spanish)

• PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba

  Pablo Hernández Figaredo

  111-118

  • PDF (Spanish)

• Book Review: A course on human rights on the big screen

  Francisco Pérez Fernández

  119-125

  • PDF (Spanish)

• Reseña: LATIMOS: Un viaje sonoro desde el cuerpo hacia la inspiración

  Tamara Ajzensztat

  127-128

  • PDF (Spanish)