Aleatoric in music as an expressive resource
Keywords:
Contemporary music, Composition, Modelling, Random processesAbstract
The aim of this article is to reflect on aleatoric in music through the analysis of three works by this article’s author. The foundations for which this theme was chosen are first presented, and then, the research carried out on the notion of aleatoric and its different compositional scope for the project is developed. Next, the technical and stylistic determinations of the aleatoric in the composition of these three works will be exposed, and finally, aleatoric will be reflected on as a creative resource from a personal perspective and possible original contributions for musical creation.
Downloads
References
Cope, D. (1997). Techniques of the contemporary composer. Stamford/Boston: Schirmer, Thomson Learning, Inc.
Julio, E. (2011). Libertad creativa e integración cultural. En Música/musicología y colonialismo (pp. 25-41). Centro Nacional de Documentación Musical Lauro Ayestarán. http://www.cdm.gub.uy/labor-editorial/libros-y-librillos/2009-musicamusicologia-y-colonialismo
Konold, C. et al. (1991). Nocive views on randomness. The 13th Annual Meeting of the International Group for the Psychology of the Mathematics Education, Blacksburg, VA. https://files.eric.ed.gov/fulltext/ED352274.pdf
Marco, T. (2014). Witold Lutoslawski, de Este a Oeste. Revista de Especialización Musical Quodlibet, 56, pp. 30-55.
Nieto, V. (2008). La forma abierta en la música para piano del Siglo XX. Academia. https://www.academia.edu/19699162/LA_FORMA_ABIERTA_EN_LA_M%C3%9ASICA_PARA_PIANO_DEL_SIGLO_XX_POR_VELIA_NIETO
Rocha S. P. G. (2000). El concepto de Aleatoriedad: Una experiencia en el aula. http://funes.uniandes.edu.co/2340/1/Rocha2000Elconceptopdf.pdf
Tolosa, J. C. (2015). Uno de los otros. En E. Spinelli (Comp.), Poéticas. En torno a Suono Mobile (pp. 29-53). Córdoba: Suono Mobile.
Partituras consultadas
Franciosi, M. (2005). ...que colma tu aire y vuela, para siete instrumentistas. Babel Scores. ISMN: 979-0-2325-5932-2.
García, C. (2020). Ausencia presente. UCLA: Music Library. https://escholarship.org/uc/item/09h233pq
Ligeti, G. (1969-1970). Kammerkonzert für 13 Instrumentalisten. Studien-Partitur Edition Schott 6323.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Ceferino Antonio García
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Commercial use of the original work and any derivative works is not permitted, and distribution of derivative works must be made under a license equal to that which governs the original work.
